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Let's Get Divorced, Darling! Franziska Klaus (42) wants to divorce her husband Oliver (47). He is convinced that she has another guy. As a successful business woman Franziska would have plenty of opportunities. Whereas he, Oliver, looks after the house and their children, Anna (15) and Tim (17). But Franziska is only flirting with Maik, the junior consultant in the company. While Oliver sacrificed his dreams of being a painter in favor of his wife's career. While Franziska is in London with Maik, on business, Oliver meets his French teenage love, Sophie. As an art dealer she encourages him to start painting again. By and by Oliver begins to emancipate from Franziska, and finds his old self again, the daredevil he used to be. At the same time, in London, Franziska reconsiders - Oliver is Mister Right after all! .

Celebrities introduce themselves to Sandra Maischberger.

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After separating from his wife, an artist finds himself in a major crisis.

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Philipp Meinhold, smart and womanizing architect, is in a dilemma between well-behaved wife Susanne and furious girlfriend Birgit. He secretly goes on vacation to Thailand with his friend Fritz. But he can't enjoy the palm trees and sunshine in his vacation paradise for long, because the storm is already approaching in the form of a feminine double hit: wife and lover arrive in the sunny Thai state. And soon the ex-crush is seen wandering the beaches, lonely and jealous ...

After a successful year as a businesswoman, Munich boutique owner Marianne Neuhaus decides to go on holiday. On the way to Hannes Kleebauer's horse stud in Austria, she meets the likeable blonde Danish woman Lil, who gives her a lift in her car. Kleebauer is a handsome, middle-aged man and widowed. He would like to get married again, but his jealous, underage daughter Christl is rebellious and has nothing better to do than scare off any potential marriage candidates as subtly as possible. And so, as expected, Marianne and Lil don't have an easy time of it when they arrive at Kleebauer's horse farm.

Based on Nikolai Erdman’s banned 1928 comedy play The Suicide, a socially critical grotesque about a man tired of life